Childrens Literature and the Theory of Magical Realism in Fiction Analysis
Özet
The term magical realism was first used by Novalis in the 18th century, and it took its place in the world of art and literature when Franz Roh defined a painting technique as magical realism in 1925. In literary criticism, magical realism is considered a genre in which the real and the irrelevant are presented together, and the irrelevant is seen as ordinary. In general, magical events that point to a problem are narrated by a secretive narrator with a childlike naivety. The boundaries between the real and the irrelevant become blurred. The reader is uncertain about whether what is happening is real or not. Taking a stance against the rational worldview of the West, magical realism suggests that there will be alternative ways to make sense of the world, such as magic. The heroes of the genre are people outside the authoritarian discourse, who are called the other, and are off-center. Magical realism, which brings together different narrative techniques, genres and cultural elements, exhibits hybrid characteristics. The lack of an examination theory on magical realist fiction was determined in the light of studies conducted in our country and around the world, and in order to contribute to the field, the theory was structured with the content analysis method, and the codes “1-Real world, 2-Existence of the irrelevant in the real world, 3-Violation of real and irrelevant boundaries, 4-Ordinariness of the unreal, 5-Indecision, 6-Narrator attitude, 7-Persons, 9-Space, 10-Postmodern elements and 11-Deep structure” were determined. It was envisaged that the determined codes could be applied to different works in both adult and children's and young adult literature, and that they would especially pioneer research on magical realism in children's literature.
Referanslar
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Bakhtin, M. M. (2005). Rabelais and his world. Detail Publications.
Bowers, M. A. (2004). Magic (al) realism. Routledge.
Camayd-Freixas, E. (2014). Theories of magical realism. In Ignacio Lopez-Calvo (Ed.), Critical insights: Magical realism (pp.3-15).Salem Press.
Chanady, A. B. (2019). Magical realism and the fantastic: Resolved versus unresolved antinomy. Routledge.
Çetintaş, D. (2018). Postmodern fiction. In Ertan Özgen (Ed.), 4O Soruda postmodern literature (pp.77-91). Ketebe.
D'haen, T. (1989). Timothy findley: magical realism and the Canadian postmodern. Multiple Voices: Recent Canadian Fiction, 217-33
Der Standard.(n.d.). Hauptsache du kannst etwas. Der Standart.
Faris, W. B. (1995). Scheherazade's children: Magical Realism and postmodern fiction. In Zamora, L. P., Faris, W. B. (Eds.), Magical realism: Theory, history, Community (pp.163). Duke University Press.
Faris, W. B. (2004). Ordinary enchantments: Magical realism and the remystification of narrative. Vanderbilt University Press.
Fetz, N.T. (1981) Christine Nöstlinger: children's advocate and social critic ocate and social critic [Unpublished Master's Thesis] University of Monta.
Fowler, A. (1979). Genre and literary canon. New literary history, 11 (1), 97-119.
Guenther, I. (1995). Magic realism, new objectivity, and the arts during the weimar republic. In Lous Parkinson Zamaro, Wendy B. Faris (Eds.), Magical realism: Theory, history, Community (pp.33-73). Duke University Press.
Gürhan, N. (2017). Peer bullying with every aspect. Turkiye Klinikleri J Psychiatr Nurs-Special Topics, 3(2), 175-81.
Hegerfeldt, A. C. (2005). Lies that tell the truth: Magic realism seen through contemporary fiction from Britain. Rodopi.
Hoffmann, H. (1995). Struwwelpeter. Courier Corporation.
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Hutcheon, L. (1988) A poetics of postmodernism: History, theory, practice.Routledge.
Korkmaz, Ramazan (2005) The Impulse of Homelessness and Anayurt Otel, Journal of Scientific Research, S.23, S.139
Novy,V.B.(2018,July 13). Zum tod von kinderbuchautorin christine Nöstlinger. Deutschlandfun.https://www.deutschlandfunk.de/zum-tod-von-kinderbuchautorin-christine-noestlinger-von-der-100.html
Nöstlinger, C. (2013). Glück ist was für augenblickeanaltır.Residenz.
Quayson, A. (2009). Magical realism and the african novel. Irele, A. (Ed),The Cambridge companion to the African novel (pp.159-164). Cambridge University Press
Sasser, K. (2014). Magical realism and cosmopolitanism: Strategizing belonging. Springer.
Todorov, T. (1975). The fantastic: A structural approach to a literary genre. Cornell University Press.
Turkish Language Association. (t.y). Gerçek.Sozluk.gov.tr Güncel Türkçe Sözlük in.Access date: 8,August,2024, accessed from https://sozluk.gov.tr/.
Weigman, U. (2018, July 14).Kinderbuchautorin christine nöstlinger. Deutschlandfun.
Referanslar
Akbulut, Y. (2012). Data analysis techniques. Ali Şimşek (Ed.), Research methods in social sciences (pp.163-195). Anadolu University Publications
Bakhtin, M. M. (2005). Rabelais and his world. Detail Publications.
Bowers, M. A. (2004). Magic (al) realism. Routledge.
Camayd-Freixas, E. (2014). Theories of magical realism. In Ignacio Lopez-Calvo (Ed.), Critical insights: Magical realism (pp.3-15).Salem Press.
Chanady, A. B. (2019). Magical realism and the fantastic: Resolved versus unresolved antinomy. Routledge.
Çetintaş, D. (2018). Postmodern fiction. In Ertan Özgen (Ed.), 4O Soruda postmodern literature (pp.77-91). Ketebe.
D'haen, T. (1989). Timothy findley: magical realism and the Canadian postmodern. Multiple Voices: Recent Canadian Fiction, 217-33
Der Standard.(n.d.). Hauptsache du kannst etwas. Der Standart.
Faris, W. B. (1995). Scheherazade's children: Magical Realism and postmodern fiction. In Zamora, L. P., Faris, W. B. (Eds.), Magical realism: Theory, history, Community (pp.163). Duke University Press.
Faris, W. B. (2004). Ordinary enchantments: Magical realism and the remystification of narrative. Vanderbilt University Press.
Fetz, N.T. (1981) Christine Nöstlinger: children's advocate and social critic ocate and social critic [Unpublished Master's Thesis] University of Monta.
Fowler, A. (1979). Genre and literary canon. New literary history, 11 (1), 97-119.
Guenther, I. (1995). Magic realism, new objectivity, and the arts during the weimar republic. In Lous Parkinson Zamaro, Wendy B. Faris (Eds.), Magical realism: Theory, history, Community (pp.33-73). Duke University Press.
Gürhan, N. (2017). Peer bullying with every aspect. Turkiye Klinikleri J Psychiatr Nurs-Special Topics, 3(2), 175-81.
Hegerfeldt, A. C. (2005). Lies that tell the truth: Magic realism seen through contemporary fiction from Britain. Rodopi.
Hoffmann, H. (1995). Struwwelpeter. Courier Corporation.
Retrieved from https://www.derstandard.at/story/1378249058367/hauptsache-du-kannst-etwas.
https://www.deutschlandfunk.de/kinderbuchautorin-christine-noestlinger-ich-sehe-eigentlich-102.html
Hutcheon, L. (1988) A poetics of postmodernism: History, theory, practice.Routledge.
Korkmaz, Ramazan (2005) The Impulse of Homelessness and Anayurt Otel, Journal of Scientific Research, S.23, S.139
Novy,V.B.(2018,July 13). Zum tod von kinderbuchautorin christine Nöstlinger. Deutschlandfun.https://www.deutschlandfunk.de/zum-tod-von-kinderbuchautorin-christine-noestlinger-von-der-100.html
Nöstlinger, C. (2013). Glück ist was für augenblickeanaltır.Residenz.
Quayson, A. (2009). Magical realism and the african novel. Irele, A. (Ed),The Cambridge companion to the African novel (pp.159-164). Cambridge University Press
Sasser, K. (2014). Magical realism and cosmopolitanism: Strategizing belonging. Springer.
Todorov, T. (1975). The fantastic: A structural approach to a literary genre. Cornell University Press.
Turkish Language Association. (t.y). Gerçek.Sozluk.gov.tr Güncel Türkçe Sözlük in.Access date: 8,August,2024, accessed from https://sozluk.gov.tr/.
Weigman, U. (2018, July 14).Kinderbuchautorin christine nöstlinger. Deutschlandfun.