Görsel Anlatıda Hareketli Grafik ve Video Mapping

Aksu, M. (2019). Mimarlıkta video projeksiyon haritalama kullanımı. Tasarım Enformatiği, 1(2), 191-214.

Albayrak, A. (2017). Kamusal alanlarda veri kültürü: Video mapping. Fine Arts (NWSAFA), 12(3), 164-176. https://doi.org/10.12739/NWSA.2017.12.3.D0197.

Atiker, B. (2015). Yerleştirme sanatında yansıtım hizalama ile artırılmış gerçeklik tasarımları. Beykent Üniversitesi Sosyal Bilimler Dergisi, 4(1), 99-121.

Catanese, R. (2013). 3D architectural video mapping. The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, XL-5/W2, 165-169.

De Paolis, L. T., Liaci, S., Sumerano, G., & De Luca, V. (2022). A video mapping performance as an innovative tool to bring to life and narrate a pictorial cycle. Information, 13(3), 122. https://doi.org/10.3390/info13030122

Dilworth, L. (2024). Exhibitions. Erişim adresi: https://lucindadilworth.com/pages/exhibitions

Ekim, B. (2011). A video projection mapping conceptual design and application: Yekpare. The Turkish Online Journal of Design, Art and Communication, 1(1), 10-19.

Ergun, E., & Aygenc, E. (2018). Video mapping applications in the new media art. Revista de Cercetare si Interventie Sociala, 63, 315-322.

Julian Beever, & Varini, F. (2020). Geometrical transformations in contemporary projection mappings. Videomapping, 12-18.

Maniello, D. (2019). Advanced video mapping techniques: Spatial augmented reality applied to cultural heritage (Cilt II). Le Penseur Publisher.

Maniello, D. (2019). Advanced video mapping techniques: Spatial augmented reality applied to cultural heritage (Cilt II). Le Penseur Publisher.

Masunah, J., vd. (Eds.). (2024). Types of projection mapping on art and design development. ICADE 2022, ASSEHR, 771, 448–459.

Melnyk, M., Derkach, S., Fisher, V., Krypchuk, M., & Sovhyra, T. (2023). Video projection technologies as a phenomenon of digital culture in audiovisual art. Heliyon, 9(4), e15102.

Navab Lahijani, S., Hoghooghinia, N., & et al. (2026). Spatial mise-en-scène and narrative in architecture: A comparison of Tschumi's event-based approach and Psarra. Bagh-e Nazar, 23(154), 37-52. https://doi.org/10.22034/bagh.2025.521429.5815

Özgün, S., & Yavuz, A. (2018). Video mapping uygulamalarının deneyim odaklı incelenmesi. SETSCI Conference Indexing System, 2, 466-474.

Pahrulroji, A., & Soeteja, Z. S. (2024). Types of projection mapping on art and design development. J. Masunah vd. (Editörler), ICADE 2022, ASSEHR 771, 448–459.

Paul, C. (2008). Digital art (2. baskı). Thames & Hudson.

Psarra, S. (2009). Architecture and narrative: The formation of space and cultural meaning. Routledge / KU ScholarWorks.

Roizosa, M. (2020). Video mapping technology and applied data (Tez çalışması). UPC BarcelonaTech.

Tekin, E. (2021). Kamusal binaların dijital sergileme alanlarına dönüşmesi: Mapping projeleri. Bengi: Dünya Yörük-Türkmen Araştırmaları Dergisi, 4(1), 84-102.

Waves System. (2025). How to choose a video projector for video mapping? Waves System.

Yücel, S. (2026). Dijital anlatıda mekân: YouTube üzerinden söylem analizi. bab Journal of Architecture and Design, 7(2), 105-119. https://doi.org/10.61807/bab.1859354

Görsel Kaynakçası

Görsel 1. Archello. Magic Carpets 2014: Miguel Chevalier. https://archello.com/project/magic-carpets-2014-miguel-chevalier. (Erişim tarihi: 10 Eylül 2026)

Görsel 2. Exstasis, Odd Agency. https://www.oddagency.it/en/home-eng/ (Erişim tarihi: 10 Eylül 2026)

Görsel 3. Dilworth, L. XGIMI Commission: Dreamroom [Fotoğraf]. Lucinda Dilworth. https://lucindadilworth.com/cdn/shop/files/XGIMIcommission_dreamroom_9a05f827-8034-449d-a28e-f4b33b21c057.jpg?v=1728420713&width=3840 (Erişim tarihi: 11 Eylül 2026)

Görsel 4. Dijital Deneyim Merkezi.Dijital Koridor. https://www.dijitaldeneyimmerkezi.com/Home/DigitalCorridor (Erişim tarihi: 12 Eylül 2026)