Boşluğun Tasarımı: Grafik Tasarımda Negatif Alan, Görsel Düzen ve Anlam

Arslan, S. (2021). Postmodern sanatta negatif alan. Tykhe Sanat ve Tasarım Dergisi, 6(11), 127–140. https://doi.org/10.55004/tykhe.999675

Demirkıran, Y. (2015). Basılı gazete sayfalarında bir tasarım elemanı olarak beyaz alanlar Yüksek lisans tezi, Mersin Üniversitesi. Ulusal Tez Merkezi.

Demirkıran, Y., & Güven, Y. (2023). 20. yüzyıl görsel iletişim tasarımında bir tasarım elemanı olarak beyaz alanın okunaklılıktan okunabilirliğe serüveni. Ankara Üniversitesi Güzel Sanatlar Fakültesi Dergisi, 5(1), 340–359. https://doi.org/10.58608/augsfd.1293011

Escher in Het Paleis. Sky and Water I. https://escherinhetpaleis.nl/en/about-escher/masterpieces/sky-and-water-i

Foss, S. K. (2005). Theory of visual rhetoric. In K. L. Smith, S. Moriarty, G. Barbatsis, & K. Kenney (Eds.), Handbook of visual communication: Theory, methods, and media (pp. 141–152). Lawrence Erlbaum Associates. https://doi.org/10.4324/9781410611581-18

Gosling, E. (2019, August 12). Anti-grid design icon David Carson says computers make you lazy + indie magazines needs to liven up. Eye on Design. https://eyeondesign.aiga.org/anti-grid-icon-david-carson-on-why-computers-make-you-lazy-and-indie-mag-design-needs-to-liven-up/

Kılıçkaya, E. E. (2007). Grafik tasarımda görünmeyen çoğunluk: Beyaz alanlar Yüksek lisans tezi, Anadolu Üniversitesi. Ulusal Tez Merkezi.

Lee, D. H. (2006). Effective use of negative space in graphic design [Master’s thesis, Rochester Institute of Technology]. RIT Scholar Works. https://repository.rit.edu/theses/6186/

Ma, J. (2025). A study on perceptual design of hierarchical graphic information in interfaces based on Gestalt principles. Applied Sciences, 15(21), Article 11327. https://doi.org/10.3390/app152111327

The One Club for Creativity. (2014, Ocak 13). The One Show at the North American International Auto Show. https://www.oneclub.org/articles/-view/the-one-show-at-the-north-american-international-auto-show/

Wagemans, J., Elder, J. H., Kubovy, M., Palmer, S. E., Peterson, M. A., Singh, M., & von der Heydt, R. (2012). A century of Gestalt psychology in visual perception: I. Perceptual grouping and figure-ground organization. Psychological Bulletin, 138(6), 1172–1217. https://doi.org/10.1037/a0029333

Yıldırım, A. (2012). Tipografinin değişen yüzü; Post Tipografi ve Post Tipografik Font Tasarımı. Yüksek lisans tezi, Hacettepe Üniversitesi. Ulusal Tez Merkezi.

Görsel Kaynakçası

Görsel 1. Escher in Het Paleis. M. C. Escher, Sky and Water I (1938). https://escherinhetpaleis.nl/en/about-escher/masterpieces/sky-and-water-i

Görsel 2. The Museum of Modern Art. Josef Müller-Brockmann, Musica Viva (1958). https://www.moma.org/collection/works/7233

Görsel 3. Gosling, E. (2019, 12). Anti-grid design icon David Carson says computers make you lazy + indie magazines needs to liven up. Eye on Design. https://eyeondesign.aiga.org/anti-grid-icon-david-carson-on-why-computers-make-you-lazy-and-indie-mag-design-needs-to-liven-up/?utm_source=chatgpt.com

Görsel 4. People’s Graphic Design Archive. Volkswagen, Think Small (1959), Helmut Krone / Julian Koenig. https://peoplesgdarchive.org/item/16761/think-small-advertising-campaign

Görsel 5. The One Club for Creativity. Fiat, Letters: F, N, R / Don’t Text and Drive (2014), Leo Burnett Tailor Made. https://www.oneclub.org/awards/theoneshow/-award/20502/letters-f-n-r/

Görsel 6. The One Club for Creativity. Colsubsidio Libraries, Colsubsidio Book Exchange, Lowe/SSP3. https://www.oneclub.org/ awards/theoneshow/-award/19156/colsubsidio-book-exchange/

Görsel 7. Tel Aviv Museum of Art. Noma Bar: Look Again. https://www.tamuseum.org.il/ en/exhibition/noma-bar-look-again/