Dijital Gürültü Çağında İletişim Tasarımında Sessizlik ve Boşluk

Adorno, T. W. ve Horkheimer, M. (2014). Aydınlanmanın diyalektiği: Felsefi fragmanlar. (N. Ülner ve E. Ö. Karadoğan, Çev.). İstanbul: Kabalcı Yayıncılık. (Orijinal eserin yayın tarihi 1944).

Ambrose, G. ve Harris, P. (2010). Design thinking for visual communication. Londra: Fairchild Books.

Baudrillard, J. (2009). Gösterge ekonomi politiği hakkında bir eleştiri. (O. Adanır ve A. Bilgin, Çev.). İstanbul: Boğaziçi Üniversitesi Yayınevi. (Orijinal eserin yayın tarihi 1972).

Baudrillard, J. (2020). Nesneler sistemi. (O. Adanır ve A. Bilgin, Çev.). İstanbul: Boğaziçi Üniversitesi Yayınevi. (Orijinal eserin yayın tarihi 1968).

Bhargava, V. ve Velasquez, M. (2021). Ethics of the attention economy: The problem of social media addiction. Business Ethics Quarterly, 31(3), 321-359. Doi: 10.1017/beq.2020.32

Cadarso, M. (2015). Sustainable communication design principles. Procedia Manufacturing, 3, 5993-6000. Doi: 0.1016/j.promfg.2015.07.700

Cooper, A., Reimann, R. ve Cronin, D. (2014). About face: The essentials of interaction design (4. baskı). Indianapolis: Wiley.

Crary, J. (2001). Suspensions of perception: Attention, spectacle, and modern culture. Cambridge, MA: MIT Press.

Crowther, P. (2019). Ontology and aesthetics of digital art. Londra: Routledge.

Davenport, T. H. ve Beck, J. C. (2001). The attention economy: Understanding the new currency of business. Boston: Harvard Business School Press.

Few, S. (2006). Information dashboard design: The effective visual communication of data. Sebastopol, CA: O'Reilly Media.

Foucault, M. (2016). Bu bir pipo değildir. (S. Hilav, Çev.). İstanbul: Yapı Kredi Yayınları. (Orijinal eserin yayın tarihi 1973).

Goldhaber, M. (1997). The attention economy and the net. First Monday, 2(4). Doi: 10.5210/fm.v2i4.519

Hallnäs, L. ve Redström, J. (2001). Slow technology: Designing for reflection. Personal and Ubiquitous Computing, 5(3), 201-212. Doi: 10.1007/PL00000019

Han, B.-C. (2015). Yorgunluk toplumu. (S. Yalçın, Çev.). İstanbul: Açılım Kitap.

Han, B.-C. (2022). Sürünün içinde: Dijital perspektifler. (Ç. Ogan, Çev.). İstanbul: İnka Yayınları.

Han, B.-C. (2022a). Anlatının krizi. (Ç. Ogan, Çev.). İstanbul: İnka Yayınları.

Han, B.-C. (2022b). Hiperkültürellik. (Ç. Ogan, Çev.). İstanbul: İnka Yayınları.

Heidegger, M. (2008). Varlık ve zaman. (K. H. Ökten, Çev.). İstanbul: Agora Kitaplığı. (Orijinal eserin yayın tarihi 1927).

Kelly, M. ve Bielby, J. (2016). Information cultures in the digital age: A festschrift in honor of Rafael Capurro. Wiesbaden: Springer.

Kouvaras, L. I. (2013). Loading the silence: Australian sound art in the post-digital age. Farnham: Ashgate Publishing.

Kress, G. ve Van Leeuwen, T. (2001). Multimodal discourse: The modes and media of contemporary communication. Londra: Arnold.

Kwastek, K. (2013). Aesthetics of interaction in digital art. Cambridge, MA: MIT Press.

Liang, F. (2022). The end of social media and the rise of the attention economy. Media, Culture & Society, 37, 1-5. Doi: 10.1177/01634437221077168

Nordau, M. (1895). Degeneration (1). Appleton.

Nelson-Field, K. (2020). The attention economy and how media works: Simple truths for marketers. Singapore: Palgrave Macmillan.

Newport, C. (2019). Digital minimalism: Choosing a focused life in a noisy world. New York: Portfolio/Penguin.

Odell, J. (2019). How to do nothing: Resisting the attention economy. Brooklyn: Melville House.

Paul, C. (2016). A companion to digital art. Chichester: Wiley-Blackwell.

Ribot, T. (1889). Psychologie de l'attention (1). Editions L'Harmattan.

Shannon, C. E. ve Weaver, W. (1949). The mathematical theory of communication. Urbana: University of Illinois Press.

Simanowski, R. (2011). Digital art and meaning: Reading kinetic poetry, text machines, mapping art, and interactive installations. Minneapolis: University of Minnesota Press.

Simon, H. A. (1971). Designing organizations for an information-rich world. M. Greenberger (Ed.), Computers, communication, and the public interest içinde (s. 37-72). Baltimore: Johns Hopkins University Press.

Tidwell, J., Brewer, C. ve Valencia, A. (2020). Designing interfaces: Patterns for effective interaction design (3. baskı). Sebastopol, CA: O'Reilly Media.

Tuch, A. N., Presslaber, E. E., Stöcklin, M., Opwis, K. ve Bargas-Avila, J. A. (2012). The role of visual complexity and prototypicality regarding first impression of websites. International Journal of Human-Computer Studies, 70(11), 794-811. Doi: 10.1016/j.ijhcs.2012.06.003

Weiser, M. ve Brown, J. S. (1996). The coming age of calm technology. Xerox PARC. (01/10/2024 tarihinde https://calmtech.com/papers/coming-age-calm-technology.html adresinden ulaşılmıştır).

Adorno, T. W. ve Horkheimer, M. (2014). Aydınlanmanın diyalektiği: Felsefi fragmanlar. (N. Ülner ve E. Ö. Karadoğan, Çev.). İstanbul: Kabalcı Yayıncılık. (Orijinal eserin yayın tarihi 1944).

Ambrose, G. ve Harris, P. (2010). Design thinking for visual communication. Londra: Fairchild Books.

Baudrillard, J. (2009). Gösterge ekonomi politiği hakkında bir eleştiri. (O. Adanır ve A. Bilgin, Çev.). İstanbul: Boğaziçi Üniversitesi Yayınevi. (Orijinal eserin yayın tarihi 1972).

Baudrillard, J. (2020). Nesneler sistemi. (O. Adanır ve A. Bilgin, Çev.). İstanbul: Boğaziçi Üniversitesi Yayınevi. (Orijinal eserin yayın tarihi 1968).

Bhargava, V. ve Velasquez, M. (2021). Ethics of the attention economy: The problem of social media addiction. Business Ethics Quarterly, 31(3), 321-359. Doi: 10.1017/beq.2020.32

Cadarso, M. (2015). Sustainable communication design principles. Procedia Manufacturing, 3, 5993-6000. Doi: 0.1016/j.promfg.2015.07.700

Cooper, A., Reimann, R. ve Cronin, D. (2014). About face: The essentials of interaction design (4. baskı). Indianapolis: Wiley.

Crary, J. (2001). Suspensions of perception: Attention, spectacle, and modern culture. Cambridge, MA: MIT Press.

Crowther, P. (2019). Ontology and aesthetics of digital art. Londra: Routledge.

Davenport, T. H. ve Beck, J. C. (2001). The attention economy: Understanding the new currency of business. Boston: Harvard Business School Press.

Few, S. (2006). Information dashboard design: The effective visual communication of data. Sebastopol, CA: O'Reilly Media.

Foucault, M. (2016). Bu bir pipo değildir. (S. Hilav, Çev.). İstanbul: Yapı Kredi Yayınları. (Orijinal eserin yayın tarihi 1973).

Goldhaber, M. (1997). The attention economy and the net. First Monday, 2(4). Doi: 10.5210/fm.v2i4.519

Hallnäs, L. ve Redström, J. (2001). Slow technology: Designing for reflection. Personal and Ubiquitous Computing, 5(3), 201-212. Doi: 10.1007/PL00000019

Han, B.-C. (2015). Yorgunluk toplumu. (S. Yalçın, Çev.). İstanbul: Açılım Kitap.

Han, B.-C. (2022). Sürünün içinde: Dijital perspektifler. (Ç. Ogan, Çev.). İstanbul: İnka Yayınları.

Han, B.-C. (2022a). Anlatının krizi. (Ç. Ogan, Çev.). İstanbul: İnka Yayınları.

Han, B.-C. (2022b). Hiperkültürellik. (Ç. Ogan, Çev.). İstanbul: İnka Yayınları.

Heidegger, M. (2008). Varlık ve zaman. (K. H. Ökten, Çev.). İstanbul: Agora Kitaplığı. (Orijinal eserin yayın tarihi 1927).

Kelly, M. ve Bielby, J. (2016). Information cultures in the digital age: A festschrift in honor of Rafael Capurro. Wiesbaden: Springer.

Kouvaras, L. I. (2013). Loading the silence: Australian sound art in the post-digital age. Farnham: Ashgate Publishing.

Kress, G. ve Van Leeuwen, T. (2001). Multimodal discourse: The modes and media of contemporary communication. Londra: Arnold.

Kwastek, K. (2013). Aesthetics of interaction in digital art. Cambridge, MA: MIT Press.

Liang, F. (2022). The end of social media and the rise of the attention economy. Media, Culture & Society, 37, 1-5. Doi: 10.1177/01634437221077168

Nordau, M. (1895). Degeneration (1). Appleton.

Nelson-Field, K. (2020). The attention economy and how media works: Simple truths for marketers. Singapore: Palgrave Macmillan.

Newport, C. (2019). Digital minimalism: Choosing a focused life in a noisy world. New York: Portfolio/Penguin.

Odell, J. (2019). How to do nothing: Resisting the attention economy. Brooklyn: Melville House.

Paul, C. (2016). A companion to digital art. Chichester: Wiley-Blackwell.

Ribot, T. (1889). Psychologie de l'attention (1). Editions L'Harmattan.

Shannon, C. E. ve Weaver, W. (1949). The mathematical theory of communication. Urbana: University of Illinois Press.

Simanowski, R. (2011). Digital art and meaning: Reading kinetic poetry, text machines, mapping art, and interactive installations. Minneapolis: University of Minnesota Press.

Simon, H. A. (1971). Designing organizations for an information-rich world. M. Greenberger (Ed.), Computers, communication, and the public interest içinde (s. 37-72). Baltimore: Johns Hopkins University Press.

Tidwell, J., Brewer, C. ve Valencia, A. (2020). Designing interfaces: Patterns for effective interaction design (3. baskı). Sebastopol, CA: O'Reilly Media.

Tuch, A. N., Presslaber, E. E., Stöcklin, M., Opwis, K. ve Bargas-Avila, J. A. (2012). The role of visual complexity and prototypicality regarding first impression of websites. International Journal of Human-Computer Studies, 70(11), 794-811. Doi: 10.1016/j.ijhcs.2012.06.003

Weiser, M. ve Brown, J. S. (1996). The coming age of calm technology. Xerox PARC. (01/10/2024 tarihinde https://calmtech.com/papers/coming-age-calm-technology.html adresinden ulaşılmıştır).