Popüler Müzikte Modal Armoni
Özet
Referanslar
Belge, M. (2005). Osmanlı'da kurumlar ve kültür. Bilgi Üniversitesi.
Biamonte, N. (2010). Triadic modal and pentatonic patterns in rock music. Music Theory Spectrum, 32(2), 95-110.
Björnberg, A. (1985). On aeolian harmony in contemporary popular music. Critical essays in popular musicology, 275-282.
Çelikoğlu, F. (2021). Doğaçlama teorisi. Eğitim.
Çelikoğlu, F., & Lehimler, E. (2021) Modal Müzikte Akor Yürüyüşleri. Gece Kitaplığı.
Manuel, P. (1986). Evolution and structure in flamenco harmony. Current Musichology, 42, 46-57.
Susanni, P., & Antokoletz, E. (2012). Music and twentieth-century tonality: Harmonic progression based on modality and the interval cycles (Vol. 1). Routledge.
Waters, K. (2005). Modes, scales, functional harmony, and nonfunctional harmony in the compositions of Herbie Hancock. Journal of Music Theory, 49 (2), 333-357.
Zarlino, G. (1983). On the modes: part four of Le istitutioni harmoniche (çev: Cohen V.). Yale University.
Referanslar
Belge, M. (2005). Osmanlı'da kurumlar ve kültür. Bilgi Üniversitesi.
Biamonte, N. (2010). Triadic modal and pentatonic patterns in rock music. Music Theory Spectrum, 32(2), 95-110.
Björnberg, A. (1985). On aeolian harmony in contemporary popular music. Critical essays in popular musicology, 275-282.
Çelikoğlu, F. (2021). Doğaçlama teorisi. Eğitim.
Çelikoğlu, F., & Lehimler, E. (2021) Modal Müzikte Akor Yürüyüşleri. Gece Kitaplığı.
Manuel, P. (1986). Evolution and structure in flamenco harmony. Current Musichology, 42, 46-57.
Susanni, P., & Antokoletz, E. (2012). Music and twentieth-century tonality: Harmonic progression based on modality and the interval cycles (Vol. 1). Routledge.
Waters, K. (2005). Modes, scales, functional harmony, and nonfunctional harmony in the compositions of Herbie Hancock. Journal of Music Theory, 49 (2), 333-357.
Zarlino, G. (1983). On the modes: part four of Le istitutioni harmoniche (çev: Cohen V.). Yale University.
