Uyumlu Üçül Dönüşümleri: Neo-Riemannian Teori

Aydoğan, T. Şengün, H. & Uysal, İ (2007) Mikrodenetleyici Tabanlı GPS Alıcı Tasarımı ve Yapımı Akademik Bilişim’07- IX. Akademik Bilişim Konferansı Bildirileri, Dumlupınar Üniversitesi, Kütahya. https://ab.org.tr/ab07/kitap/aydogan_sengun_AB07.pdf

Cangal, N. (2010) Armoni Ankara: Arkadaş Yayınevi

Childs, A. P. (1998) Moving Beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords. Journal of Music Theory, 42 (2), 181-193 https://www.jstor.org/stable/843872

Cohn, R (1996) Maximally Smooth Cycles, Hexatonic Systems, And The Analysis Of Late-Romantic Triadic Progressions Music Analysis Vol.15, No.1 9-40. https://www.jstor.org/stable/854168

Cohn, R. (1997) Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations Journal of Music Theory , 41 (1) 1-66. https://www.jstor.org/stable/843761

Cohn, R. (1998) Introduction to Neo-Riemannian Theory: A Survey And A Historical Perspective, Journal of Music Theory, 42 (2), 167-180. https://www.jstor.org/stable/843871

Cohn, R. (2012) Audacious Euphony-Chromaticism and the Triads Second Nature New York: Oxford University Press

Douthett, J. & Steinbach, P. (1998) Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition. Journal of Music Theoryn 42 (2), 241-263. https://www.jstor.org/stable/843877

Engebretsen, N. & Broman, P. F. (2007) "Transformational Theory in the Undergraduate Curriculum- A Case for Teaching the Neo-Riemannian Approach," Journal of Music Theory Pedagogy: 21 (3), 39-70. https://digitalcollections.lipscomb.edu/jmtp/vol21/iss1/3

Fitzgerald, L. (2018). Recycling Music of the 1800s: An Analysis of the Potential for M.A. Reichert’s 7 Daily Exercises for Flute to Serve as a Technique Book for Saxophone. Undergraduate Review, 14 (13), 65-71. https://vc.bridgew.edu/undergrad_rev/vol14/iss1/13

Forte, A. (1973) The Structure of Atonal Music New Haven and London: Yale University Press.

Gollin, E. (1998) Some Aspects of Three-Dimensional “Tonnetze”. Journal of Music Theory, 42 (2) 195-206. http://www.jstor.org/stable/843873

Hyer, B. (1989) Tonal Intuitions in “Tristan und Isolde”. Doktora Tezi. Yale University. https://www.proquest.com/pqdtglobal/docview/303762876/fulltextPDF/748CD7CC9D7742D3PQ/1?accountid=25084&sourcetype=Dissertations%20&%20Theses

Hyer, B. (2012) What is a Function Oxford Handbook of Neo-Riemannian Music Theories Eds: Gollin, E. & Rehding, A. DOI: 10.1093/oxfordhb/9780195321333.013.0003

Kotska, S. & Santa, M. (2018) Materials and Techniques of Post-Tonal Music Fifth Edition, New York, NY: Routledge

Lee, I. & Lee, J. (2021) A Study on Film Score Applying the Neo-Riemannian theory: Focusing on Bernard Herrmann’s Mysterious Island Rast Musicology Journal 9 (3), 2983-2996 https://doi.org/10.12975/rastmd.2021933

Lehman, Frank (2014) Film Music and Neo-Riemannian Theory. Oxford Handbooks Online https://doi.org/10.1093/oxfordhb/9780199935321.013.002

Lewin, D. (1982) A Formal Theory of Generalized Tonal Functions. Journal of Music Theory. 26 (1) 23-60 https://www.jstor.org/stable/843354

Lewin, D. (2007) Generalized Musical Intervals and Transformations. New York: Oxford University Press.

Mamedov, N. (2019) Introducing Neo-Riemannian Theory in AP Curriculum Through Listz’s Liebestraum No.3. International Journal of Information and aeducation Technology 9, (9) doi: 10.18178/ijiet.2019.9.9.1273

Mason, L. F. (2013) Essential Neo-Riemannian Theory for Today's Musician Master Tezi, University of Tennessee https://trace.tennessee.edu/utk_gradthes/1646

Morris, R. D. (1998) Voice-Leading Spaces. Music Theory Spectrum 20 (2) 175-208 http://www.jstor.com/stable/746047

Penbegül, H. (2022) İnvolüsyonların Geometrisi Aksaray Üniversitesi Fen Bilimleri Enstitüsü, Yüksek Lisans Tezi. https://acikerisim.aksaray.edu.tr/xmlui/bitstream/handle/20.500.12451/9449/penbegul-hasan-2022.pdf?sequence=1&isAllowed=y

Riemann, H. (1893) Vereinfachte Harmonielehre oder die Lehre von den Tonalen Funktionen der Akkorde London: Augner https://s9.imslp.org/files/imglnks/usimg/1/1c/IMSLP439461-PMLP92463-Vereinfachte_Harmonielehre_oder_Die_Lehre_von_den_tonalen_Funktionen_der_Akkorde.pdf

Roig-Francoli, M. A. (2020) Harmony in Context Third Edition New York, NY: McGraw-Hill.

Straus, J. N. (2005) Introduction to Post Tonal Theory. New Jersey: Pearson Prentice Hall.

Visconti, C. (2018) Axis of Contextual Inversions. MusMat Brasillian Journal of Music and Mathematics 2 (2) 16-36 https://musmat.org/wp-content/uploads/2018/12/06-axis-of-contextual-inversion.pdf

Yust, J. (2019). Decontextualizing Contextual Inversion. In: Montiel, M., Gomez-Martin, F., Agustín-Aquino, O.A. (eds) Mathematics and Computation in Music. MCM 2019. Lecture Notes in Computer Science, vol 11502. Springer, Cham. https://doi.org/10.1007/978-3-030-21392-3_8

Aydoğan, T. Şengün, H. & Uysal, İ (2007) Mikrodenetleyici Tabanlı GPS Alıcı Tasarımı ve Yapımı Akademik Bilişim’07- IX. Akademik Bilişim Konferansı Bildirileri, Dumlupınar Üniversitesi, Kütahya. https://ab.org.tr/ab07/kitap/aydogan_sengun_AB07.pdf

Cangal, N. (2010) Armoni Ankara: Arkadaş Yayınevi

Childs, A. P. (1998) Moving Beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords. Journal of Music Theory, 42 (2), 181-193 https://www.jstor.org/stable/843872

Cohn, R (1996) Maximally Smooth Cycles, Hexatonic Systems, And The Analysis Of Late-Romantic Triadic Progressions Music Analysis Vol.15, No.1 9-40. https://www.jstor.org/stable/854168

Cohn, R. (1997) Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations Journal of Music Theory , 41 (1) 1-66. https://www.jstor.org/stable/843761

Cohn, R. (1998) Introduction to Neo-Riemannian Theory: A Survey And A Historical Perspective, Journal of Music Theory, 42 (2), 167-180. https://www.jstor.org/stable/843871

Cohn, R. (2012) Audacious Euphony-Chromaticism and the Triads Second Nature New York: Oxford University Press

Douthett, J. & Steinbach, P. (1998) Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition. Journal of Music Theoryn 42 (2), 241-263. https://www.jstor.org/stable/843877

Engebretsen, N. & Broman, P. F. (2007) "Transformational Theory in the Undergraduate Curriculum- A Case for Teaching the Neo-Riemannian Approach," Journal of Music Theory Pedagogy: 21 (3), 39-70. https://digitalcollections.lipscomb.edu/jmtp/vol21/iss1/3

Fitzgerald, L. (2018). Recycling Music of the 1800s: An Analysis of the Potential for M.A. Reichert’s 7 Daily Exercises for Flute to Serve as a Technique Book for Saxophone. Undergraduate Review, 14 (13), 65-71. https://vc.bridgew.edu/undergrad_rev/vol14/iss1/13

Forte, A. (1973) The Structure of Atonal Music New Haven and London: Yale University Press.

Gollin, E. (1998) Some Aspects of Three-Dimensional “Tonnetze”. Journal of Music Theory, 42 (2) 195-206. http://www.jstor.org/stable/843873

Hyer, B. (1989) Tonal Intuitions in “Tristan und Isolde”. Doktora Tezi. Yale University. https://www.proquest.com/pqdtglobal/docview/303762876/fulltextPDF/748CD7CC9D7742D3PQ/1?accountid=25084&sourcetype=Dissertations%20&%20Theses

Hyer, B. (2012) What is a Function Oxford Handbook of Neo-Riemannian Music Theories Eds: Gollin, E. & Rehding, A. DOI: 10.1093/oxfordhb/9780195321333.013.0003

Kotska, S. & Santa, M. (2018) Materials and Techniques of Post-Tonal Music Fifth Edition, New York, NY: Routledge

Lee, I. & Lee, J. (2021) A Study on Film Score Applying the Neo-Riemannian theory: Focusing on Bernard Herrmann’s Mysterious Island Rast Musicology Journal 9 (3), 2983-2996 https://doi.org/10.12975/rastmd.2021933

Lehman, Frank (2014) Film Music and Neo-Riemannian Theory. Oxford Handbooks Online https://doi.org/10.1093/oxfordhb/9780199935321.013.002

Lewin, D. (1982) A Formal Theory of Generalized Tonal Functions. Journal of Music Theory. 26 (1) 23-60 https://www.jstor.org/stable/843354

Lewin, D. (2007) Generalized Musical Intervals and Transformations. New York: Oxford University Press.

Mamedov, N. (2019) Introducing Neo-Riemannian Theory in AP Curriculum Through Listz’s Liebestraum No.3. International Journal of Information and aeducation Technology 9, (9) doi: 10.18178/ijiet.2019.9.9.1273

Mason, L. F. (2013) Essential Neo-Riemannian Theory for Today's Musician Master Tezi, University of Tennessee https://trace.tennessee.edu/utk_gradthes/1646

Morris, R. D. (1998) Voice-Leading Spaces. Music Theory Spectrum 20 (2) 175-208 http://www.jstor.com/stable/746047

Penbegül, H. (2022) İnvolüsyonların Geometrisi Aksaray Üniversitesi Fen Bilimleri Enstitüsü, Yüksek Lisans Tezi. https://acikerisim.aksaray.edu.tr/xmlui/bitstream/handle/20.500.12451/9449/penbegul-hasan-2022.pdf?sequence=1&isAllowed=y

Riemann, H. (1893) Vereinfachte Harmonielehre oder die Lehre von den Tonalen Funktionen der Akkorde London: Augner https://s9.imslp.org/files/imglnks/usimg/1/1c/IMSLP439461-PMLP92463-Vereinfachte_Harmonielehre_oder_Die_Lehre_von_den_tonalen_Funktionen_der_Akkorde.pdf

Roig-Francoli, M. A. (2020) Harmony in Context Third Edition New York, NY: McGraw-Hill.

Straus, J. N. (2005) Introduction to Post Tonal Theory. New Jersey: Pearson Prentice Hall.

Visconti, C. (2018) Axis of Contextual Inversions. MusMat Brasillian Journal of Music and Mathematics 2 (2) 16-36 https://musmat.org/wp-content/uploads/2018/12/06-axis-of-contextual-inversion.pdf

Yust, J. (2019). Decontextualizing Contextual Inversion. In: Montiel, M., Gomez-Martin, F., Agustín-Aquino, O.A. (eds) Mathematics and Computation in Music. MCM 2019. Lecture Notes in Computer Science, vol 11502. Springer, Cham. https://doi.org/10.1007/978-3-030-21392-3_8