Orta Çağ Müziği: Gregoryen İlahisi, Polifoni ve Seküler Müzik

Attali J. (2001). Gürültüden müziğe: müziğin ekonomi-polı̇tı̇ğı̇. (Gülüş GÜLCÜGİL TÜRKMEN, Çev. Ed.). İstanbul: Ayrıntı Yayınları.

Apel, W. (1973). The Development of French Secular Music During the Fourteenth Century. Musica Disciplina, 27, 41-59.

Baltzer, R. A. (1987). Notre dame manuscripts and their owners: lost and found. Journal of Musicology, 5 (3), 380-399.

Bonds, M. E. (2003). A history of music in western culture. Prentice Hall.

Britannica, T. Editors of Encyclopaedia (2016, March 18). Adam De La Halle. Encyclopedia Britannica. (22/11/2023 tarihinde https://www.britannica.com/biography/Adam-de-la-Halle adresinden ulaşılmıştır).

Britannica, The Editors of Encyclopaedia (2023, October 31). St. Hildegard. Encyclopedia Britannica. (09/11/2023 tarihinde https://www.britannica.com/biography/Saint-Hildegard adresinden ulaşılmıştır).

Burkholder, J. P., Grout, D. J., & Palisca, C. V. (2010). A history of western music (8th ed.). W.W. Norton & Company.

Cantori Gregoriani (2011). Pascha nostrum. Paoline Editoriale Audiovisivi. 14/11/2023 tarihinde https://www.youtube.com/playlist?list=OLAK5uy_lV8cfiXj7ndJHJ3dxDhkhNib-QIEHqAIA adresinden ulaşılmıştır).

Dillon, E. (2002). Medieval music-making and the “roman de fauvel”. Cambridge, UK: Cambridge University Press.

Harbinson, D. (1966). Isorhythmic technique in the early motet. Music & Letters, 47 (2), 100-109.

Hoppin, R. H. (1978). Medieval Music. New York, W.W. Norton & Co.

Kamien, R. (1996). Music: an appreciation. McGraw-Hill.

Kerman, J., Tomlinson, G., & Kerman, V. (2012). Listen. Bedford/St. Martin’s.

Leach, E. E. (2011). The Fourteenth Century. Mark Everist (Ed.). The Cambridge Companion to Medieval Music içinde (s. 87-104). Cambridge: Cambridge University Press.

Le Goff, J. (1982). Ortaçağ batı uygarlığı. (Hanife GÜVEN, Uğur GÜVEN, Çev. Ed.). Ankara: Doğu Batı Yayınları.

Mason, Joseph W. (2020). Review: Musical Culture in the World of Adam de la Halle. Ed. by Jennifer Saltzstein. Music and Letters. 101 (1), 135-138.

Michels, U., & Vogel, G. (2015). Müzik atlası. (Semih UÇAR, Çev. Ed.). İstanbul: Alfa.

Mommsen, T. E. (1942). Petrarch’s conception of the ‘dark ages’. Speculum, 17 (2), 226-242.

Moths, A., & Nanni, M. (2022). From Ink to Sound Decoding Musical Manuscripts, University of Basel. (28/10/2023 tarihinde https://tales.nmc.unibas.ch/en/from-ink-to-sound-32/).

Nelson, Janet L. (2007). The dark ages. History Workshop Journal, 63, 191-201.

Parry, C. H. H. (1893). Summary of the history and development of medieval and modern european music. Cambridge University Press.

Perrot, J. (1971). The organ from its invention in the hellenistic period to the end of the thirteenth century. Adapted from the French [and] translated by Norma Deane. Oxford University Press.

Reaney, G. (1953). Fourteenth century harmony and the ballades, rondeaux and virelais of Guillaume De Machaut. Musica Disciplina, 7, 129-146.

Smith, N. E. (1989). The earliest motets: music and words. Journal of the Royal Musical Association, 114 (2): 141-163.

Summerfield, M. J. (2002). The classical guitar: its evolution players and personalities since 1800 (5th ed.). Ashley Mark Pub. Co.

Tenney, J. (1988). A history of consonance and dissonance. Excelsior.

Tischler, H. (1984). The evolution of the “magnus liber organi”. The Musical Quarterly, 70 (2), 163-174.

Mathews, W. S. B. (1894). A popular history of the art of music. Chicago: The “Music” Magazine Publishing Co.

Waite, W. G. (1954). The rhythm of twelfth-century polyphony: its theory and practice. New Haven.

Wilhelm, J. J. (Ed.) (1990). Lyrics of the Middle Ages: An anthology. New York: Garland Publishing.

Attali J. (2001). Gürültüden müziğe: müziğin ekonomi-polı̇tı̇ğı̇. (Gülüş GÜLCÜGİL TÜRKMEN, Çev. Ed.). İstanbul: Ayrıntı Yayınları.

Apel, W. (1973). The Development of French Secular Music During the Fourteenth Century. Musica Disciplina, 27, 41-59.

Baltzer, R. A. (1987). Notre dame manuscripts and their owners: lost and found. Journal of Musicology, 5 (3), 380-399.

Bonds, M. E. (2003). A history of music in western culture. Prentice Hall.

Britannica, T. Editors of Encyclopaedia (2016, March 18). Adam De La Halle. Encyclopedia Britannica. (22/11/2023 tarihinde https://www.britannica.com/biography/Adam-de-la-Halle adresinden ulaşılmıştır).

Britannica, The Editors of Encyclopaedia (2023, October 31). St. Hildegard. Encyclopedia Britannica. (09/11/2023 tarihinde https://www.britannica.com/biography/Saint-Hildegard adresinden ulaşılmıştır).

Burkholder, J. P., Grout, D. J., & Palisca, C. V. (2010). A history of western music (8th ed.). W.W. Norton & Company.

Cantori Gregoriani (2011). Pascha nostrum. Paoline Editoriale Audiovisivi. 14/11/2023 tarihinde https://www.youtube.com/playlist?list=OLAK5uy_lV8cfiXj7ndJHJ3dxDhkhNib-QIEHqAIA adresinden ulaşılmıştır).

Dillon, E. (2002). Medieval music-making and the “roman de fauvel”. Cambridge, UK: Cambridge University Press.

Harbinson, D. (1966). Isorhythmic technique in the early motet. Music & Letters, 47 (2), 100-109.

Hoppin, R. H. (1978). Medieval Music. New York, W.W. Norton & Co.

Kamien, R. (1996). Music: an appreciation. McGraw-Hill.

Kerman, J., Tomlinson, G., & Kerman, V. (2012). Listen. Bedford/St. Martin’s.

Leach, E. E. (2011). The Fourteenth Century. Mark Everist (Ed.). The Cambridge Companion to Medieval Music içinde (s. 87-104). Cambridge: Cambridge University Press.

Le Goff, J. (1982). Ortaçağ batı uygarlığı. (Hanife GÜVEN, Uğur GÜVEN, Çev. Ed.). Ankara: Doğu Batı Yayınları.

Mason, Joseph W. (2020). Review: Musical Culture in the World of Adam de la Halle. Ed. by Jennifer Saltzstein. Music and Letters. 101 (1), 135-138.

Michels, U., & Vogel, G. (2015). Müzik atlası. (Semih UÇAR, Çev. Ed.). İstanbul: Alfa.

Mommsen, T. E. (1942). Petrarch’s conception of the ‘dark ages’. Speculum, 17 (2), 226-242.

Moths, A., & Nanni, M. (2022). From Ink to Sound Decoding Musical Manuscripts, University of Basel. (28/10/2023 tarihinde https://tales.nmc.unibas.ch/en/from-ink-to-sound-32/).

Nelson, Janet L. (2007). The dark ages. History Workshop Journal, 63, 191-201.

Parry, C. H. H. (1893). Summary of the history and development of medieval and modern european music. Cambridge University Press.

Perrot, J. (1971). The organ from its invention in the hellenistic period to the end of the thirteenth century. Adapted from the French [and] translated by Norma Deane. Oxford University Press.

Reaney, G. (1953). Fourteenth century harmony and the ballades, rondeaux and virelais of Guillaume De Machaut. Musica Disciplina, 7, 129-146.

Smith, N. E. (1989). The earliest motets: music and words. Journal of the Royal Musical Association, 114 (2): 141-163.

Summerfield, M. J. (2002). The classical guitar: its evolution players and personalities since 1800 (5th ed.). Ashley Mark Pub. Co.

Tenney, J. (1988). A history of consonance and dissonance. Excelsior.

Tischler, H. (1984). The evolution of the “magnus liber organi”. The Musical Quarterly, 70 (2), 163-174.

Mathews, W. S. B. (1894). A popular history of the art of music. Chicago: The “Music” Magazine Publishing Co.

Waite, W. G. (1954). The rhythm of twelfth-century polyphony: its theory and practice. New Haven.

Wilhelm, J. J. (Ed.) (1990). Lyrics of the Middle Ages: An anthology. New York: Garland Publishing.