Salman Rushdie’nin Mağriplinin Son İç Çekişi Adlı Romanında Çokkültürlülük Ve Tarihe Palimpsest-Ekfrastik Bir Bakış
Özet
Salman Rushdie’nin 1995’te yayımlanan romanı Mağriplinin Son İç Çekişi anlatıcı karakter Moraes Zogoiby aracılığıyla Hindistan sömürge tarihi, köken, kültür ve kimlik karmaşıklığı kavramlarını sorgulayan zengin bir anlatı sunar. Rushdie farklı katmanlarda yer alan görsel veya metinsel unsurları bir araya getiren palimpsest kavramını Hindistan’ın çok katmanlı ve çokkültürlü dokusuna gönderme yaparak hem Moor’un annesi Aurora’nın sanatında hem de romanın tarih, kültür ve sanatı harmanlayan anlatı yapısında kullanır. Hindistan Ana’nın alternatif bir temsilini sunan Aurora’nın Arap İspanya’sından esinlenen ve oğlunu son Mağripli hükümdarı Sultan Boabdil ile ilişkilendirdiği resimleri, sanatsal referanslarla ekfrastik bir anlatı anlayışı ile çok kültürlülüğü ön plana çıkaran siyasi ve tarihi bir kayıt oluşturur. Dolayısıyla; İngiliz sömürgecilerin, önceki işgalcilerin ve yeni sömürgeci güçlerin etkileri de dahil olmak üzere Hindistan tarihindeki kültürel melezleşmeyi yansıtan ve sömürge sonrası Hindistan’da yeni bir kimlik ve denge yaratma çabasına katkıda bulunan bir işlev kazanarak önemli bir anlatı aracı haline gelirler.
Referanslar
Cantor, Paul A. “Tales of the Alhambra: Rushdie’s Use of Spanish History Last Sigh.” Studies in the Novel, vol. 29, 1997, pp. 323-41.
Deszcz, Justyna. “Salman Rushdie’s Magical Kingdom: The Moor’s Last Sigh and Fairy-Tale Utopia.” Marvels & Tales, vol. 18, no. 1, 2004, pp. 28–52. JSTOR, http://www.jstor.org/stable/41388683.
Fletcher, M. D. “Painting, Palimpsest and Politics in The Moor’ s Last Sigh.” Social Alternatives, vol. 20, 2001, pp. 51-54.
Greenberg, Jonathan. “The Base Indian” or “The Base Judean”?: “Othello” and the Metaphor of the Palimpsest in Salman Rushdie’s The Moor’s Last Sigh’” Modern Language Studies, vol. 29, no. 2, 1999, pp. 93–107. JSTOR, https://doi.org/10.2307/3195409.
Kangüleç Coşkun, Kübra. “Mother-Son Relationship and Identity Formation in The Moor’s Last Sigh.” Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi, vol. 36, no.1, 2019, pp. 23-32 . DOI: 10.32600/huefd.432782
Laouyene, Atef. “Andalusian Poetics: Rushdie’s The Moor’s Last Sigh and the Limits of Hybridity.” ariel A Review of International English Literature , vol. 38, no. 4, 2007.
Narain, Mona. “Re-Imagined Histories: Rewriting the Early Modern in Rushdie’s The Moor’s Last Sigh.” Journal for Early Modern Cultural Studies, vol. 6, no. 2, 2006, pp. 55–68. JSTOR, http://www.jstor.org/stable/40339573.
Penas Ibáñez, Beatriz & García Landa, José Angel. “Intertextuality and Exoticism in Salman Rushdie’s ‘The Moor’s Last Sigh’.” New Exoticisms: Changing Patterns in the Construction of Otherness, edited by Isabel Santaolalla, Rodopi, 2000.
Pirbhai, Mariam. “The Narrator-in-Exile’s Unimaginable Palimpsest: Salman Rushdie’s ‘The Moor’s Last Sigh.’” Journal of South Asian Literature, vol. 33/34, no. 1/2, 1998, pp. 28–49. JSTOR, http://www.jstor.org/stable/23234232.
Rushdie, Salman. Imaginary Homelands: Essays and Criticism 1981-1991. Granta Books, 1991.
---. Mağriplinin Son İç Çekişi, çeviri Begüm Kovulmaz. E-Book, Can Yayınları, 2017.
---. Joseph Anton: A Memoir. Jonathan Cape, 2012.
Schultheis, Alexandra W. “Postcolonial Lack and Aesthetic Promise in ‘The Moor’s Last Sigh.’” Twentieth Century Literature, vol. 47, no. 4, 2001, pp. 569–95. JSTOR, https://doi.org/10.2307/3175994.
Su, Jung. “Inscribing the Palimpsest: Politics of Hybridity in “The Moor’s Last Sigh”.” Concentric: Literary and Cultural Studies, vol. 29, 2003, pp. 199-226.
Tekin, Kuğu. “Images inside Words: Framing the visual in Salman Rushdie’s The Moor’s Last Sigh.” Wasafiri, vol. 28, no.1, 2013, pp. 68-74, DOI: 10.1080/02690055.2013.744806
V., Vidya. “The Saga of Saying and Unsaying: A Reconnaissance of Woman Characters in Salman Rushdie’s the Moor’s Last Sight.” International Journal of Asian History, Culture and Tradition, vol 4, no. 5, 2017, pp. 1–22.
Referanslar
Cantor, Paul A. “Tales of the Alhambra: Rushdie’s Use of Spanish History Last Sigh.” Studies in the Novel, vol. 29, 1997, pp. 323-41.
Deszcz, Justyna. “Salman Rushdie’s Magical Kingdom: The Moor’s Last Sigh and Fairy-Tale Utopia.” Marvels & Tales, vol. 18, no. 1, 2004, pp. 28–52. JSTOR, http://www.jstor.org/stable/41388683.
Fletcher, M. D. “Painting, Palimpsest and Politics in The Moor’ s Last Sigh.” Social Alternatives, vol. 20, 2001, pp. 51-54.
Greenberg, Jonathan. “The Base Indian” or “The Base Judean”?: “Othello” and the Metaphor of the Palimpsest in Salman Rushdie’s The Moor’s Last Sigh’” Modern Language Studies, vol. 29, no. 2, 1999, pp. 93–107. JSTOR, https://doi.org/10.2307/3195409.
Kangüleç Coşkun, Kübra. “Mother-Son Relationship and Identity Formation in The Moor’s Last Sigh.” Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi, vol. 36, no.1, 2019, pp. 23-32 . DOI: 10.32600/huefd.432782
Laouyene, Atef. “Andalusian Poetics: Rushdie’s The Moor’s Last Sigh and the Limits of Hybridity.” ariel A Review of International English Literature , vol. 38, no. 4, 2007.
Narain, Mona. “Re-Imagined Histories: Rewriting the Early Modern in Rushdie’s The Moor’s Last Sigh.” Journal for Early Modern Cultural Studies, vol. 6, no. 2, 2006, pp. 55–68. JSTOR, http://www.jstor.org/stable/40339573.
Penas Ibáñez, Beatriz & García Landa, José Angel. “Intertextuality and Exoticism in Salman Rushdie’s ‘The Moor’s Last Sigh’.” New Exoticisms: Changing Patterns in the Construction of Otherness, edited by Isabel Santaolalla, Rodopi, 2000.
Pirbhai, Mariam. “The Narrator-in-Exile’s Unimaginable Palimpsest: Salman Rushdie’s ‘The Moor’s Last Sigh.’” Journal of South Asian Literature, vol. 33/34, no. 1/2, 1998, pp. 28–49. JSTOR, http://www.jstor.org/stable/23234232.
Rushdie, Salman. Imaginary Homelands: Essays and Criticism 1981-1991. Granta Books, 1991.
---. Mağriplinin Son İç Çekişi, çeviri Begüm Kovulmaz. E-Book, Can Yayınları, 2017.
---. Joseph Anton: A Memoir. Jonathan Cape, 2012.
Schultheis, Alexandra W. “Postcolonial Lack and Aesthetic Promise in ‘The Moor’s Last Sigh.’” Twentieth Century Literature, vol. 47, no. 4, 2001, pp. 569–95. JSTOR, https://doi.org/10.2307/3175994.
Su, Jung. “Inscribing the Palimpsest: Politics of Hybridity in “The Moor’s Last Sigh”.” Concentric: Literary and Cultural Studies, vol. 29, 2003, pp. 199-226.
Tekin, Kuğu. “Images inside Words: Framing the visual in Salman Rushdie’s The Moor’s Last Sigh.” Wasafiri, vol. 28, no.1, 2013, pp. 68-74, DOI: 10.1080/02690055.2013.744806
V., Vidya. “The Saga of Saying and Unsaying: A Reconnaissance of Woman Characters in Salman Rushdie’s the Moor’s Last Sight.” International Journal of Asian History, Culture and Tradition, vol 4, no. 5, 2017, pp. 1–22.
