Reception of Popular Fiction in Academia

Allen, J. S. (1983). History and the novel: Mentalité in modern popular fiction. History and Theory, 22(3), 233-252. URL: https://www.jstor.org/stable/2504982

Bennett, T., & Martin, G. (1990). Series editors’ preface. In T. Bennett (Ed.), Popular fiction: Technology, ideology, production (pp. ix– x). Reading: Routledge.

Berger B. M. (1977). Review of popular culture and high culture: An analysis and evaluation of taste by H. Gans. Contemporary Sociology, 47( 6), pp. 672-675.

Bianchi, D. & Zanettin, F. (2018). ‘Under surveillance’. An introduction to popular fiction in translation. Perspectives, 26(6), 793-808. Doi:10.1080/0907676X.2018.1510017

Bloom, C. (2002). Bestsellers: Popular fiction since 1900. New York: Palgrave Macmillan.

Bloom, C. (1996). Cult fiction: Popular reading and pulp theory. London: Macmillan Press Ltd.

Botting, F. (2012). Bestselling fiction: Machinery, economy, excess. In David Glover & Scott McCracken (Eds.), The Cambridge companion to popular fiction (Cambridge Companions to Literature, pp.159-174). Cambridge: Cambridge University Press.

Connie V. F. (2003). Popular fiction collections in academic and public libraries. The Acquisitions Librarian, 15(29), 63-85. Doi: 10.1300/J101v15n29_07

Derrida, J. (1980). The law of genre. Glyph, 7, 202-232.

Fletcher, L. (2016). Introduction. In Lisa Fletcher (Ed.) Popular fiction and spatiality: Reading Genre Settings. New York: Palgrave Macmillan.

Gelder, K. (2004). Popular fiction: The logics and practices of a literary field. London and New York: Routledge.

Germain, A. St. (1977). Teaching popular culture: The tough guy novel. Studies in Popular Culture, 1(1), 36-44.

Glover D. & McCracken, S. (2012). Introduction. In David Glover & Scott McCracken (Eds.) The Cambridge companion to popular fiction (Cambridge Companions to Literature, pp.1-14). Cambridge: Cambridge University Press. Doi:10.1017/CCOL9780521513371.002

Hartley, J. (1996). Popular reality: Journalism, modernity, popular culture. New York: Arnold.

Hofmeyr, I . (2001). Bunyan in Africa: Text and transition. Interventions 3(3), 322-335.

Horkheimer M. & Adorno T. W. (2002). Dialectic of englihtenment: Philosophical fragments (Translated by Edmund Jephcott). California: Stanford University Press.

Kernan, A. B. (1990). The death of literature. New Haven: Yale University Press.

Montoro, R. (2015). Style in popular literature. In Violeta Sotirova (Ed.) The Bloomsbury Companion to Stylistics (pp. 673-689). London, Oxford & New York: Bloomsbury Publishing.

Nash, W. (1990), Language in popular fiction, London: Routledge.

Neill, S. D. (2004). London by gaslight. In Harold Bloom (Ed.), The Victorian novel Bloom’s period studies (pp. 171-199). New York: Chelsea House Publishers.

New Criticism. (2018). In A Dictionary of critical theory (2nd ed.). Accessed Feb. 10, 2023, available on https://www.oxfordreference.com/search?q=new+criticism&sear chBtn=Search&isQuickSearch=true

New Historicism. (2013). In Oxford an A-Z guide to Shakespeare (2nd ed.). Accessed Feb. 10, 2023, available on https://www.oxfordreference.com/search?q=new+historicism&se archBtn=Search&isQuickSearch=true

Nile, R. (1998). Pulp fiction: Popular culture and literary reputation. Journal of Australian Studies, 22(58), 66-74, Doi: 10.1080/14443059809387403

Ogola, G. (2002). Mapping texts: Imagining audiences in popular fiction. English Studies in Africa, 45(2), 47-61, Doi: 10.1080/00138390208691314

Pamuk, O. (2020), What the great pandemic novels teach us. The New York Times, accessed Jan. 20, 2023, available on

https://www.nytimes.com/2020/04/23/opinion/sunday/coronaviru s-orhan-pamuk.html

Pawling, C. Introduction. (1984). In Chritopher Pawling (Ed.), Popular fiction and social change (pp. 1-19). London: MacMillan Press.

Radway, J. (1991). Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill & London: University of North Carolina P.

Schneider-Mayerson, M. (2010). Popular fiction studies: The advantages of a new field. Studies in Popular Culture, 33(1), 21- 35. Stable URL: https://www.jstor.org/stable/23416317

Schultz, K. & Throop, R. (2010). Popular culture. International Encyclopedia of Education (Third Edition). Doi:10.1016/B978-0-08-044894-7.00054-3

Scrivner, C., Johnson, J. A., Kjeldgaard-Christiansend, J., Clasen, M. (2021). Pandemic practice: Horror fans and morbidly curious individuals are more psychologically resilient during the COVID- 19 pandemic. Personality and Individual Differences, 168, 1-6. Doi: https://doi.org/10.1016/j.paid.2020.110397

Sewell, R. G. (1984). Trash or treasure? Pop fiction in academic and research libraries. College and Research Libraries, 45(6), 450-461. Doi: https://doi.org/10.5860/crl4506450

Swirski, P. (1999). Popular and highbrow literature: A comparative view. CLCWeb: Comparative literature and culture, 1(4), 1-14. Doi: https://doi.org/10.7771/1481-4374.1053

Allen, J. S. (1983). History and the novel: Mentalité in modern popular fiction. History and Theory, 22(3), 233-252. URL: https://www.jstor.org/stable/2504982

Bennett, T., & Martin, G. (1990). Series editors’ preface. In T. Bennett (Ed.), Popular fiction: Technology, ideology, production (pp. ix– x). Reading: Routledge.

Berger B. M. (1977). Review of popular culture and high culture: An analysis and evaluation of taste by H. Gans. Contemporary Sociology, 47( 6), pp. 672-675.

Bianchi, D. & Zanettin, F. (2018). ‘Under surveillance’. An introduction to popular fiction in translation. Perspectives, 26(6), 793-808. Doi:10.1080/0907676X.2018.1510017

Bloom, C. (2002). Bestsellers: Popular fiction since 1900. New York: Palgrave Macmillan.

Bloom, C. (1996). Cult fiction: Popular reading and pulp theory. London: Macmillan Press Ltd.

Botting, F. (2012). Bestselling fiction: Machinery, economy, excess. In David Glover & Scott McCracken (Eds.), The Cambridge companion to popular fiction (Cambridge Companions to Literature, pp.159-174). Cambridge: Cambridge University Press.

Connie V. F. (2003). Popular fiction collections in academic and public libraries. The Acquisitions Librarian, 15(29), 63-85. Doi: 10.1300/J101v15n29_07

Derrida, J. (1980). The law of genre. Glyph, 7, 202-232.

Fletcher, L. (2016). Introduction. In Lisa Fletcher (Ed.) Popular fiction and spatiality: Reading Genre Settings. New York: Palgrave Macmillan.

Gelder, K. (2004). Popular fiction: The logics and practices of a literary field. London and New York: Routledge.

Germain, A. St. (1977). Teaching popular culture: The tough guy novel. Studies in Popular Culture, 1(1), 36-44.

Glover D. & McCracken, S. (2012). Introduction. In David Glover & Scott McCracken (Eds.) The Cambridge companion to popular fiction (Cambridge Companions to Literature, pp.1-14). Cambridge: Cambridge University Press. Doi:10.1017/CCOL9780521513371.002

Hartley, J. (1996). Popular reality: Journalism, modernity, popular culture. New York: Arnold.

Hofmeyr, I . (2001). Bunyan in Africa: Text and transition. Interventions 3(3), 322-335.

Horkheimer M. & Adorno T. W. (2002). Dialectic of englihtenment: Philosophical fragments (Translated by Edmund Jephcott). California: Stanford University Press.

Kernan, A. B. (1990). The death of literature. New Haven: Yale University Press.

Montoro, R. (2015). Style in popular literature. In Violeta Sotirova (Ed.) The Bloomsbury Companion to Stylistics (pp. 673-689). London, Oxford & New York: Bloomsbury Publishing.

Nash, W. (1990), Language in popular fiction, London: Routledge.

Neill, S. D. (2004). London by gaslight. In Harold Bloom (Ed.), The Victorian novel Bloom’s period studies (pp. 171-199). New York: Chelsea House Publishers.

New Criticism. (2018). In A Dictionary of critical theory (2nd ed.). Accessed Feb. 10, 2023, available on https://www.oxfordreference.com/search?q=new+criticism&sear chBtn=Search&isQuickSearch=true

New Historicism. (2013). In Oxford an A-Z guide to Shakespeare (2nd ed.). Accessed Feb. 10, 2023, available on https://www.oxfordreference.com/search?q=new+historicism&se archBtn=Search&isQuickSearch=true

Nile, R. (1998). Pulp fiction: Popular culture and literary reputation. Journal of Australian Studies, 22(58), 66-74, Doi: 10.1080/14443059809387403

Ogola, G. (2002). Mapping texts: Imagining audiences in popular fiction. English Studies in Africa, 45(2), 47-61, Doi: 10.1080/00138390208691314

Pamuk, O. (2020), What the great pandemic novels teach us. The New York Times, accessed Jan. 20, 2023, available on

https://www.nytimes.com/2020/04/23/opinion/sunday/coronaviru s-orhan-pamuk.html

Pawling, C. Introduction. (1984). In Chritopher Pawling (Ed.), Popular fiction and social change (pp. 1-19). London: MacMillan Press.

Radway, J. (1991). Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill & London: University of North Carolina P.

Schneider-Mayerson, M. (2010). Popular fiction studies: The advantages of a new field. Studies in Popular Culture, 33(1), 21- 35. Stable URL: https://www.jstor.org/stable/23416317

Schultz, K. & Throop, R. (2010). Popular culture. International Encyclopedia of Education (Third Edition). Doi:10.1016/B978-0-08-044894-7.00054-3

Scrivner, C., Johnson, J. A., Kjeldgaard-Christiansend, J., Clasen, M. (2021). Pandemic practice: Horror fans and morbidly curious individuals are more psychologically resilient during the COVID- 19 pandemic. Personality and Individual Differences, 168, 1-6. Doi: https://doi.org/10.1016/j.paid.2020.110397

Sewell, R. G. (1984). Trash or treasure? Pop fiction in academic and research libraries. College and Research Libraries, 45(6), 450-461. Doi: https://doi.org/10.5860/crl4506450

Swirski, P. (1999). Popular and highbrow literature: A comparative view. CLCWeb: Comparative literature and culture, 1(4), 1-14. Doi: https://doi.org/10.7771/1481-4374.1053